J. Cole - Born Sinner Artwork x "Shook"

In a tweet earlier today, J. Cole announced that his sophomore album, Born Sinner, has been completed and the release date has been moved up to June 18th from the original June 25th, which means that it will be debuting on the same day as a certain Chicago producer's highly anticipated Yeezus. Stay tuned for the track listing and in the meantime, make sure to check out the Kendrick Lamar Born Sinner story that Cole released to build hype for the album.

Here's hoping that J. Cole the singer doesn't ruin too many of J. Cole the rapper's songs (as demonstrated on the album's first single, "Power Trip"). Hit the jump for the deluxe version artwork and the stream/download of one of my favorite pre-Warm Up Cole freestyles over Mobb Deep's classic "Shook Ones" instrumental. Via Xclusives Zone.

KnowMads - "Happy Simples" x "Who Are You?"

Two underrated songs KnowMad songs that both missed the final cut for the 64-song 206ness bracket. Both are off the first album, So It Goes, which I'm still astounded that the group made when they were sixteen and seventeen. The quality of the album is made all the more astounding when you listen Professor Macklemore's Open Your Eyes, which he made when he was around the same age. Where Open Your Eyes sounds like a rough demo cut, So It Goes sounds like a refined album with several classic Seattle songs ("Sunrise" made it to the Final Four of said bracket).

"Happy Simples" is a song that I often compare to Grynch's "Memory Lane." Its beautiful song about growing up and lost innocence that sees them rapping to Cheef's kid brother about the difference between life at his age and life as a teenager. It's an incredibly endearing song that demonstrated the KnowMad crew's talent from a very early point in their careers.

"Who Are You?" loses a lot of steam after Tom Pepe's first verse, but that verse is still one of my favorites from this very talented, young Seattle emcee.

Well I'm a big bad motherfucker waiting for his time,
I'm a millionaire Scarface waiting for his line.
I'm a million steps ahead of you, piercing through the sky,
Many will follow, but very few can fly.

If you like what you hear, make sure to download their first two albums, which they released for free.99 and support their latest effort, The KnewBook.

Peace, Love, & The 6,
Noah


"Happy Simples"

Note: "Who Are You?" is having errors uploading to Audiomack, if you want to hear it, go here.

Kidz In The Hall - "Wheelz Fall Off" x "Day By Day/We Almost Lost"

In high school I was most talkative
Now I'm most decadent
Flow heaven sent
Laced intelligent
Your's irrelevant
Hot like fire cooler then peppermint
Still benevolent
Rose gold necklace
You was left negligent
Case closed, no settlement or arraignment
Spit for my sanity not for entertainment
Never on some lame shit
Lean to the left y'all on the same shit
Imitate the same hit
You think that's dope I say hardly
Don't listen to radio singled out like McCarthy
Trying to be the black McCartney

Sam Lachow presents..."Young Seattle Pt. 2"


In light of Macklemore's runaway success, let me introduce some Seattle spitters that haven't ever been featured on this site. Internet, meet Sam Lachow, Gift uh Gab, Nacho Picasso, Jarv Dee, La, Raz Simone, and Grynch.

These rappers aren't total unknowns (we've featured Grynch on this site more than once), but this showcase is a great way to get acquainted with their various styles. Each of the emcees is quite different, keeping the song really fresh. It also doesn't hurt that each emcee only gets a quick 16 before handing off the mic. This is a video that needs to be watched more than once.

Sam Lachow and Kromagnon construct a sparse beat, perfect for each verse to have full reign of. Most posse cuts have a repetitive beat that doesn't grow over the course of the song, but this song takes a more subtle route. Instead of leaving the boom-bap of Sam's verse for all the other's to do their thing on, the producers make slight shifts after each verse, complementing the style of each emcee. Sam Lachow's goofy, laid-back flow sets the tone, Gift uh Gab gets a shaker effect and a breakdown, Nacho Picasso takes the beat into outer space...I could go on, but words pale in comparison to the aural experience.

Just like any good posse cut, there's the accompanying debate about who really killed it. I'll withhold my opinion, but let us know down bottom.

OutKast - "Last Call" (feat. Slimm Calhoun, Lil' Jon & The Eastside Boyz, & Mello)

Quick post today since I'm out of town:

Even though Speakerboxxx/The Love Below was labeled as an OutKast album, in reality it was just Three Stacks and Left Foot's first solo albums that they released together. Only two of the thirty-nine tracks feature the ATLiens performing together.

The Love Below is more popular, with hits like "Hey Ya!" and "Roses." It also features more singing than rapping from André 3000, which is perfectly fine. I hold that Benjamin and Lauryn Hill are the only people on earth talented enough to pull off both (to which the new wave of rappers bears increasing testimony--as much as I love J. Cole the emcee, I hate J. Cole the tone deaf singer who ruins J. Cole the emcee's songs).

But Speakerboxxx is the better pure hip hop album and my favorite of the two. From the booming bass of the "Intro/Ghetto Musick" to "Church" to the Hova-assisted "Flip Flop Rock" to the closing "Last Call" there isn't a single skippable song on the album. Big Boi often gets overshadowed in everyone's love of his recording partner, but he's a Top-15 emcee in his own right. Any Top-25 list is not to be taken seriously without mentioning Patton somewhere on the list.

"Last Call" is a sneaky good party track that a surprising amount of people haven't heard (mostly because a lot of people just pay attention to singles). Its one of my personal favorites and is one of the best ATL songs. Bump it at the party this weekend and, whatever your plans, remember to stay classy.

Peace, Love, & ATLiens,
Noah



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206ness 2013: A Celebration of Seattle Hip Hop [Bracketology]

(Click to enlarge)

Live from occupied Duwamish territory, I bring you this massive post celebrating the Seattle hip hop scene.

I originally considered writing this article in my younger days when I first started this blog back in 2009, but decided against it for two reasons. The first was that I don't believe in ranking songs/albums/mixtapes as better or worse than each other. Good music should be appreciated as good music without the pressure of being quantified.

The second and frankly more pressing concern was that there wasn't enough of a Northwest hip hop scene to make it worthwhile. Had I put together this bracket four years ago, it would have been composed almost entirely out of Blue Scholars, Common Market, and Dyme Def songs and I would have had to stretch it to include 64 songs.

So, what's changed over the past four years? We've seen the continued emergence and growth of post-Massline generation acts like Dyme Def, The Physics, Fresh Espresso, and Grynch to name a few. We've seen the reconstruction of Nissim (formerly D. Black), the resurrection and subsequent explosion of Macklemore, and the emergence of talented young producers in P Smoov, Ryan Lewis, and Brainstorm.

For me, this post isn't so much about determining what Seattle songs are better, so much as celebrating the artists and songs that have transformed the city into a shining beacon within the hip hop community. Far removed from the draconian burdens of the Teen Dance Ordinance, hip hop in the Upper Left is alive and thriving.

The quality of the music has reached the point where, in the process of compiling this article, I narrowed down the potential songs to a quote-unquote "short" list of 187 songs. There are so many talented local artists that classics such as "Second Chapter," "White Privilege," and "North By Northwest" didn't make the final cut. Four years ago, I probably would have had to include "Baby Got Back." Today, it didn't even make the song short list (though "Posse's On Broadway" made the short list--the song is a lot better than memory serves).

Artists from 25 groups make at least one appearance on the list, pushing even the revered Blue Scholars song, "The Ave," (probably my favorite of their live songs) off the final 64 song cut.

The difference between #42 and #90 was minuscule, so an argument could be made for many more songs making the list. If you can't believe that I left off Song A or had Song B beating Song C, please be sure to give your preference and describe, in great detail, precisely how brain damaged you believe me to be in the comments section below. I encourage the conversation and enjoy hearing what other people's favorites are (especially if you believe that I overlooked an artist).

Considering the songs that just missed, the final 64 is a fairly select group that's also fairly representative of the music scene as a whole. As I mentioned, emcees from twenty-five local acts make at least one appearance on the list with Massline, Sportn' Life, Out For Stardom, and most local consortiums being represented. But enough of me talking. You want to hear the music.

Sol - "Stage Dive"

It's impossible to hate this incredibly endearing song off Solzilla's 2012 album, Yours Truly. Look for it on the forthcoming 64 Song 206ness bracket. Lyrics after the jump. Enjoy.



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